#FULL FRAME LENS FOR SONY A7 PLUS#

The autofocus is fast and silent and the optical stabilisation works really well, which is a nice plus for non-stabilised body. Its resistance to flare is quite impressive and the lens has a short focusing distance of 28cm. The corners can lack some sharpness at certain focal lengths.ĭistortion is contained and the lens is free from vignetting and chromatic aberration. The performance decreases from 28mm to 35mm so it is best to shoot with it below 24mm and take advantage of the shorter focal lengths. Sharpness is good at the centre up to 24mm. The build quality includes dust and moisture resistance.

Today I think the FE 16-35mm is still a good compromise between quality and price if you are looking for versatility. When this lens was released, there weren’t any alternative wide angle lenses to recommend, so it was easy. In short, it is one of the best wide angle lenses we’ve ever used. All the most common lens issues such as distortion, flare, vignetting and chromatic aberration are either minimal or absent. The bokeh at the shortest focus distance is attractive but this isn’t a main reason to buy the lens.

Sharpness is already excellent at f/2.8 and from f/4 it becomes perfect across the frame. It includes electronic contacts for EXIF data and MF assists when turning the focus ring. It has an all-metal build with blue rubber that seals the mount and stops dust and moisture from entering.

#FULL FRAME LENS FOR SONY A7 MANUAL#

It is a manual focus lens but this matters less for genres like landscape and architecture photography. It is without a doubt the one we would recommend most highly for landscapes. The first of our absolute top three favourite lenses for the FE-mount is the Loxia 21mm from Zeiss. Below you’ll find the lenses we’ve tried and enjoyed the most. There are quite a few landscape options for FE-mount cameras, from standard zooms to wide primes.

#FULL FRAME LENS FOR SONY A7 FULL#

To know more about our ethics, you can visit our full disclosure page. If you buy something after clicking the link, we will receive a small commission. Within the article, there are affiliate links. We were not asked to write anything about these lenses, nor were we provided any compensation of any kind. In this article we will concentrate on lenses with a native E-mount.Įthics statement: The following list is based upon our experience with E-mount lenses. However the performance will vary depending on the camera and adapter used. Note: When it comes to the Sony FE-mount system, there is an innumerable number of manual focus and third-party lenses from Canon, Nikon, Sony A-mount and Sigma that you can adapt.

In order to make reading the article more straightforward, we opted to divide the lenses up by photographic genre instead of focal length.

#FULL FRAME LENS FOR SONY A7 SERIES#

In this article, we’re going to looking at some of the best lenses available for Sony A7 series cameras, most of which we’ve either spent some time with or reviewed. In fact, in just three years, the lens ecosystem has grown to include dozens of lenses not just from Sony itself but also well-known brands such as Zeiss, Samyang and Voigtlander. There are now seven models in the A7 full-frame interchangeable lens line-up – the first generation A7, A7r and A7s, the second generation A7II, A7rII and A7sII and the third generation A7rIII – and a growing number of FE-mount lenses to match. Today, the situation has completely changed. That camera was the Sony A7, and although it grabbed the attention of the market for its compact size, the lack of native lenses for the system initially deterred many photographers from investing in it. When Sony first announced the RX1 compact camera with a full-frame sensor, most people in the industry suspected that it would only be a matter of time before the company announced an interchangeable lens version of the camera.

Full frame lens for sony a7